I work with multiple visual and discursive contents that I appropriate in different ways, to later remix, postproduce and re-signify them, configuring a personal visual universe that changes according to each project. I act on recognizable meanings and displace them in order to change certain logics of meaning, in order to point out how we build our identity in a context of hypervisuality, where the parameters of the subjective are gradually relegated to synonyms of privilege rather than individuality. Memory, dissociation, language and representation are some of the key points that can serve to define my lines of research. My practice is based on the exploration of graphic design languages linked to the limits of representation, transversality and visual dynamism. I materialize commissions through different types of publications characterized by qualities of anti-design styles, minimalism and visual cleanliness.